Tuesday 19 February 2019

TAEC’s newest special exhibition, “Voices of the Wind: Traditional Instruments in Laos” is now on display after more than two years of extensive research and documentation in remote regions of northern Laos led by Belgian ethnomusicologist and curator, Dr. Marie-Pierre Lissoir, and the TAEC research team.

A highly interactive and intimate exhibit, display spaces communicate three important contexts of instrumental practices: ritual, instrument-making, and courting. Through village scene re-creation, audio stations, and interactive video and photograph kiosks, visitors will enter a world rarely seen by the general public.

In Laos, music and musical instruments are a part of everyday life. For entertainment, courtship, or rituals, to banish loneliness, teach children, or communicate with the spirits, musical practices touch every member of a community during every part of the year. There is now a struggle and urgency to document these instruments from construction to playing as modernity takes over and replaces intimate settings and songs with amplifiers, microphones, and pre-recorded music. Music is the voice of a community, the voice of a country. A voice that is constantly evolving, like every human activity.

This exhibit also coincides with the recent UNESCO inscription of the music of the mouth organ or “khaen” on the Representative List of the Intangible Cultural Heritage of Humanity. This is the very first inscription for the country on the ICH list and a positive step forward for safeguarding the transmission of knowledge, skills, and meaning of this emblematic instrument for future generations.

TAEC would like to acknowledge the U.S. Ambassadors Fund for Cultural Preservation for making this critical research possible, and William Klausner for supporting the creation of the exhibition.

“Voices of the Wind: Traditional Instruments in Laos” will be on display until the Fall 2020.

From the Curator: “Music can be explored in so many ways. There is the role of music in traditional ceremonies and celebrations, but also the crafting of instruments, playing techniques, and the decline of apprenticeship. Laos is particularly fascinating because many instruments are used to communicate, whether to pass a message through the mountains with the powerful sound of a leaf, or to express ones love with the discreet sound of the jaw harp. Speaking about music is speaking about life in Laos, its changes and challenges.”– Dr. Marie-Pierre Lissoir

Hmong instrument maker and musician: “There are so many people making qeej, but if I am the one who is able to help document the process of making it from the beginning to the end, then I hope my knowledge is able to inspire people not to let go of their culture and traditions, not to let go of your ancestors and family spirits. I want to leave this message behind for the future generation.”– Mr. Neng Chue Vang

TAEC’s objectives of this exhibition:

• Demonstrate the diversity and similarities in musical practices among minority groups in Laos.
• Expose unexpected sounds and instruments to visitors in an innovative experiential space. The scenography of the exhibit and its use of different mediums will allow a deeper understanding of music and its techniques.
• Stimulate local and foreign visitor interest in Laos’ musical traditions and its importance to society through special events and outreach at the Centre.
• Highlight, document and safeguard endangered practices and instruments. 


Discover the people of Laos at the Traditional Arts & Ethnology Centre. TAEC is the only museum and learning centre in Laos dedicated to cultural diversity. The Centre is engaged in a broad range of museum and community engagement activities, reflecting its commitment to supporting living ethnic minority communities to preserve and promote their cultural heritage while looking towards the future.

Located in Ban Khamyong, Luang Prabang, Lao PDR, the museum and shop is open 9am until 6pm, closed Mondays. Admission is 25,000 Lao kip for adults, free for children under 12 and Lao citizens. The TAEC Boutique on the main road in Ban Vat Sene sells fair trade crafts made by ethnic groups. It is open from 9am – 9pm every day.

Contact:
Kristy Best, Director Sales & Marketing
kristy taeclaos.org
www.taeclaos.org
Mobile +856 20 5544 7895

The Wat Phu Festival takes place every year, on the 15th day of the increasing moon of the 3rd month (in January-February) and coincides with the Makha Busa Buddhist Festival. The believers come from a great distance to attend the ceremony ; some of them even come from Thailand and Cambodia; it is also the opportunity for surrounding plain and mountain populations to meet each other, maintaining these relations since time put off.

Processions, recitals, and chants take place during the three days festival. Boats racing (dugouts), game "catch-ducks"; volleyball and petanque competitions are also organized. Sometimes, elephant procession, buffalo and cock fights, and dances are also showed. The local authorities want to maintain some traditions and to preserve the sacred sense of the place. In the evening, various attractions as well as some concerts are used to occur as an usual profane aspect. See an example of the attractions for 2011 on the file below...

The days of the full moon is called Van Sin Ngiae 15 kham, holiday especially for all manual workers and those whose job can disturb by noise. These days we will avoid visiting artisan villages if we want to observe or participate in traditional activities.

On that day, more locals will join the Morning Alms.
Before participating, we recommend to read the Rules to respect for this unique cultural/religious tradition.

In the morning of the Van Sin Ngiae, the search for bonzes is marked by an influx more massive than usual of faithful. The bonzes themselves are more likely to leave the temple which gives the ritual a special intensity, even more in recent years with the influx of Thai visitors at certain times of the year for some Buddhist festivals.

A ceremony is held at the temple in the morning, when a special "bread made of sticky rice" is offered. This festival is held during the third full moon of the lunar calendar. The festival commemorates the original teachings of Lord Buddha given to over a thousand monks who came spontaneously to hear him preach. The festival is marked by grand parades of candle-bearing worshippers circling their local temples, merit-making, and much religious music and chanting.

On the morning, after morning alms, people meet in the temple to cook local pieces of sticky rice.

This festival is held during the third full moon of the lunar calendar. It happens the same day Wat Phou Festival in Champasak.